Our friends Sara and Ale from photography / design studio papermoustache both have a passion for long distance running. How long? Exactly 42 kilometers and 195 meters: after years of preparation, they just completed their first marathon in Loch Ness (of all places).
To show our support in the days leading to the race, we decided to design a logo for their participation to the race.
Unable to attend the race itself in Scotland, the next best thing for us was to show up at the Berlin Marathon (which happened roughly at the same time… but conveniently just around the corner from us), and synchronicitically cheer our friends with our handmade little flag:
The red arrow is pointing Wilson Kipsang, who won the Berlin marathon with a new world record (2h 03′ 23″), confirming Berlin’s fame as the quickest marathon in the world. Maybe Sara and Ale should come here next year to lower their personal best.
After all: what’s the point in running a graphic design studio if you can’t have fun with friends?
Even if they can’t put “writer” on business cards, writer can always publish books. Barbara’s new novel will be out next week, printed by a major italian publisher.
She let us read the manuscript this past summer and we started thinking about a book trailer for the launch. We decided to introduce all the main characters in a graphic animation.
And after some more sketching and computer stuff, this is the final result:
Thanks to Barbara Fiorio for letting us play with her words and to Marco Caprelli, who provided the original music for the book trailer.
I can’t remember who was the first one to have the idea of sending us octopus-like souvenirs, but since we started our activity we received from our friends many objects, pictures, books and odd stuff representing our tentacled pal.
(please leave actual animals in the sea!).
We had a good laugh when we received a wishes card from Umberto (you might remember him for the incredible Moby Dick illustrations), depicting a Santa-clad octopus with an attitude.
Barbara is a writer but she didn’t know what to write on her business cards. Apparently writers cannot write “writer” on their cards, so we thought maybe they could quote their own writings… simple, isn’t it?
These are some of the 47 designs we came up with:
(the actual cards are smaller than what you see on your screen)
Our friend James Slater invited us to join his Moby Dick Project: his goal is to create a complete visual rendition of Moby Dick by assigning each sentence of the book to a different visual artist (animators, cartoonists, directors…). He (wisely) chose to start with chapter one, and we got ourselves this excerpt to work on:
I am tormented with an everlasting itch for things remote. I love to sail forbidden seas, and land on barbarous coasts. Not ignoring what is good, I am quick to perceive a horror, and could still be social with it—would they let me—since it is but well to be on friendly terms with all the inmates of the place one lodges in.
After long nights of thinking, we decided that our script (and the project) deserved a visual treatment from a real artist: we got in touch with painter and illustrator Umberto Torricelli and explained him our script. A few weeks later he came back with stunning black and white inked drawings of strange creatures from the darkness of the deep oceans:
For one of the most impressive illustrations, the vessel in the storm, we cut out all the tentacles, tails, fins and the other strange appendages, then separated the waves and the sky to be able to animate all the elements separately.
You can see the final result here.
To help our friend Sara Lando with the promotion of the (successful!) crowdfunding campaign for her photo-graphic novel ‘Magpies’, we realized a book trailer using some of the most striking images from the book.
Thinking about about the tiny cardboard sets she painstakingly built and photographed for the novel, we thought it would be a great idea to subtly animate those sets and bring them to life.
She provided us with the original files for some key images and we rebuilt the sets in a virtual environment, trying to match lighting and camera effects along the way.
Guess what’s on the page and what’s in our video!
in June n broke his leg, luckily not his arm.
This was the result of a summer of recovering spent together with some markers:
you can see the whole Magpies project here
Thanks to Sara (the author!) who gave us this game to play
The people at Sapori e Sapere needed a set of icons to represent the different sections of their online catalogue of food delicacies, here’s what we came up with:
* we are Italians after all
Our friends at ZeroViolenzaDonne, a women’s and minorities’ rights group based in Italy, contacted us with the idea for a short video to celebrate their third anniversary.
Their script featured two little aliens arriving on Earth and traveling in time and coming across the role of women in history.
We wanted to give this video a warm and funny tone, so we realized simple geometric illustrations and animated everything with a touch of comedy.
You can check out the result here.
…or make a donation to Zero Violenza Donne here
The Quest for a Real Hard Hob (Hard Hob for friends), is a musical / film / live show project that is being produced by a group of friends here in Berlin.
It’s the story of a robot that wakes up in a future post-apocalyptic Berlin and… well, I’ll leave you to discover the rest by yourself: you can follow the project on their website and on Facebook.
We helped Andy Millington (the show’s creator, director and main promoter) in putting together a promo video for the initial round of production and funding.
The project was very challenging: a mix of live action (the backgrounds and some of the first-person segments were videotaped), photography (for the scene settings) and drawings (the main character has been assembled from a series of sketches).
We discussed with Andy the development from the storyboards and worked together on every further phase: compositing, animation, editing, music sync and the final visual effects.
The final video has been used in live showcase performances and has become the style reference for the development of the complete animated production.
You can check out the final version here.